Below, we explore a few stunning film locations that brought season 3 to life-and share where you can see them from afar. Now’s not a good time to hop on a plane, but we can take a page from Ingels if we want an escape from reality: All you need is a screen. Part of their success is owed to the very real buildings the show tapped for filming, in locations including Singapore, Spain, and Los Angeles. Using his yet-unbuilt concepts to infuse cityscapes with the glitter of digital futurism, the showrunners weaved a seamless web between reality and fiction. To create the gleaming fortress where host-gone-rogue Dolores plans her revenge, Westworld creators used the insight of Bjarke Ingels, a Danish architect known for his inventive designs. But that doesn’t mean they aren’t fun to visi t-from the safety (and reality) of our couches. Starring Robert Redford, Jennifer Lopez, Morgan Freeman.Westworld Season 3 has finally arrived, and already we know its futuristic megacities aren’t quite the sleek-steel utopias they purport to be. Eventually, he asks his friend to do what is necessary to return the creature to the wild, providing an effective metaphor for the change of heart required from Einar, and making it worth finishing this Unfinished Life. The offending bear that revenged his body is caged at a local zoo, and he insists Einar regularly visit it and give it fresh meat. Yet these content concerns are overshadowed by the object lesson Mitch delivers. In other scenes, he and Mitch cuss up a regular but milder assortment of profanities. (Presumably the writers wanted us to recognize Jean wasn’t the type to hold back on sharing herself with a new man.) This incident also leads Einar to use a derogatory sexual term when discussing his daughter-in-law’s behavior. Unnecessary characters such as these are easy pickings for movie heroes like Einar, but we already knew he was tough after rescuing a waitress from some thugs at the local diner.Ĭonversely, the budding romance between Jean and the local sheriff (Josh Lucas) does make the story more interesting, but delivers the movie’s one short moment of sexuality, where we see the two intimately engaged in the sheriff’s SUV. Jean’s boyfriend drives thousands of miles to reclaim his woman, providing some tense moments, brief physical altercations, and vengeance. The film’s greatest flaw is its inclusion of the stereotypical bad-guy-who-won’t-quit. Young Becca Gardner is also exceptional, especially considering her limited screen experience. They yell and argue at each other, yet their friendship is far too deep to let a few heated words get in the way, and that’s why we believe Mitch is the only person on Earth capable of softening Einar attitude towards Jean. The seasoned actors work comfortably together in a humorous, touching, and believable way. Their performances are why we are watching-and enjoying-a story we’ve seen before with an ending that’s as sure as death itself. These moments bond Redford and Freeman together to form the core of this movie. A daily routine of rubbing lotion on his mangled back, giving him a shot of painkiller, and helping him dress and shave, provide ample opportunity for the now disabled man to give his stubborn superior a piece of his wisdom. A year later, Mitch is still smarting from the pain, and depends heavily on his boss’s seemingly uncharacteristic compassion. A farm hand to Einar, the loyal worker was the recipient of a grizzly’s anger after he attempted to stop the animal from eating a calf. As the dialogue churns, we are made aware that Einar has spent the last decade blaming Jean for the untimely death of his son.īut this is obviously a movie where lessons are about to unfold, and the teacher is Mitch Bradley (Morgan Freeman). Einar Gilkyson (Robert Redford) didn’t know he had a granddaughter, and is hesitant to let the desperate pair in the door of his ramshackle house. The estranged daughter-in-law isn’t met with open arms by the crusty ranchman. Finally recognizing she needs to put as many miles as possible between them, she packs up her belongings and young child Griff (Becca Gardner), and sets her course for the only place of refuge she can think of-the Wyoming home of her father-in-law, and the resting place of her late husband. The bruised face of Jean Gilkyson (Jennifer Lopez) immediately tells us she’s already offered far too much patience to her abusive boyfriend.
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